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急需,,关于《假结婚》,重金悬赏,,,

急需,,关于《假结婚》,重金悬赏,,,

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急需,,关于《假结婚》,重金悬赏,,,

剧情In New York, Margaret Tate is a successful self-made chief-editor of the Ruick & Hunt Publishing and loathed by her coworkers. Margaret lost her parents when she was sixteen and is tough with the employees of the office. Her executive assistant and aspirant editor Andrew Paxton has been working with her for three years without any recognition. When Margaret has problems with the immigration due to an expired visa and is threatened with deportation, she blackmails Andrew to agree to marry her. In return, he would be promoted to editor and she would publish his book. Meanwhile, the skeptical clerk of the immigration department Mr. Gilbertson schedules an interview with Margaret and Andrew after the weekend. The couple travels to Sitka, Alaska, to celebrate the ninetieth birthday of Andrew's grandmother and Margaret is welcomed by his warming family. Over the weekend, she grows closer to Andrew's family who ask her to marry Andrew in their barn, a family tradition in the Paxton family. And the tension increases when Mr. Gilbertson appears out of the blue in Sitka promising to charge Andrew for fraud影评:Producer/star Sandra Bullock turns out what looks like another box office smash. Typical of most "chick-flicks," the trailer tells you just about everything you're going to see. Unexpectedly, though, the surprises come from behind the scenes. The film looks gorgeous (and not just the two lead actors): the prettiness of the interior sets is matched by the choice of locations. While much of the film is set amidst the beauty of a seaside town in Alaska, even New York City is made to look like something out of a story book. It hasn't looked this good since the era of Doris Day. Typical of such a film, the costumes, even on the extras in the background, are so well-coordinated with the locations that the whole thing feels like a "realist fantasy." Likewise, the plot itself is reminiscent of the romantic comedies of half a century ago - complete with their morality, albeit updated enough in a post-feminist era for Ryan Reynolds' masculinity to function credibly in "the Doris Day role." This he handles extremely well, although Sandra Bullock deserves most of the praise. As a producer, she knows her on- screen strengths and weaknesses, and, most importantly, she knows her audience and, despite the hard-nosed ice-queen she chooses to play here, everyone will continue to love her. Frankly, I was surprised to see so many empty seats at the sneak-preview last night in Boston, but I hope that doesn't get the filmmakers down. The audience loved this film and it's going to get positive word-of-mouth from whoever sees it - young or old. It's going to be around for a long time.